Skip to content

Janet Goldner

Artist

  • Sculpture
    • Installations
    • Steel Books
    • Public Sculpture
    • Wall Sculptures
    • Free Standing Sculptures
    • Suspended Sculptures
    • Mixed Media / Collage
    • Early Fibers & Mesh
  • Photo / Video
    • Photography
      • US/Mexican Border, Texas, 2018
      • Considering Migration: Tucson, 2014
      • Bamako Votes
      • Obama in Mali
      • Timbuktu, Gao, Konna, Doentza
      • Artistic & Cultural Biennial
      • Bintou’s Salon
      • Potters – Kalabougou, Mali
      • Blacksmiths, Mali
      • Women’s Conference, Nairobi
      • West Africa, Janet’s 1st Trip
    • Video
      • Fences & Neighbors
      • Oumou Sangare, NYC
      • Senufo Women’s Music
      • Senufo Hunter’s Funeral
      • Mali Mode
      • Have We Met?
      • Have We Met Installation
      • Community Radio in Mali
      • Mali: An Invitation to Travel
      • 3 Countries Textile Project
  • Projects
    • Projects in AFRICA & in the US
      • KAWRAL: Contemporary Malian Artists
      • Groupe Bogolan Kasobane
      • Women Artists of Mali
      • Mali Fabric Dyeing Project
      • Women Spinning Cotton
      • Family & Community in Mali, 2009
      • Arts & Culture in Mali
      • Maternal Death Reduction
      • South African Mail
      • Women Facing AIDS
      • 4 x 27: Women Collaborate
    • Workshops & Lectures
      • Collage & Assemblage Workshop in Ghana
      • Inside Out: A Writing Workshop
      • Collaborative Workshop
      • Welding for Artists
      • Bogolan (Mud Cloth) Workshop
      • World Heritage Sites In Mali
      • Groupe Bogolan Kasobane
      • The Potters of Kalabougou
      • Apprenticing at a Forge in Mali
  • Writing
    • Using the Past to Sculpt the Costume of the Future
    • The Poetics of Cloth
    • The Language of Beads
    • Mali @ 50
    • The Women of Kalabougou
    • Crisis in Mali 2012
      • Mali’s History & Culture
      • Council on Foreign Relations
      • 6: A Revolution in Process
      • 5: Malian Self Determination
      • 4: April 19 – May 6
      • 3: April 5 – 19
      • 2: March 28-April 5
      • 1: Background, March 21-28
      • Opinion Poll: Bamako, May 2012
      • Why no election now!
      • The Crisis in Northern Mali
      • MAPS of Mali
      • March for Peace in Mali, DC
      • PM Cheick Modibo Diarra
    • Finding Home: West Africa
    • Which Mali?
    • Woven Journey
  • News
  • About
    • Bio & CV
    • Artist Statement
    • Press
  • Contact

Browse:

  • Home
  • Sculpture

Sculpture

Have We Met? is a installation with steel sculpture, video and sound. It includes gestural steel sculptures inspired by Malian masks, sculptures and ideograms and a 15-minute video that presents four aspects of daily life in Karenguimbe, a remote village in northern Mali. Presenting images that are small, personal and human, my aim is to offer a realistic image of Africa that is nuanced and positive, countering persistent negative stereotypes.Installations
Ideogram Book 2, 24 inches x 36 inches x 24 inches, steel, 2007 ||| Ideograms are a symbolic writing system. The ideograms here are used by the Dogon people of Mali as part of ceremonies and divination. Steel Books
Can We Acknowledge?, 4' x 25' x 4', steel, 2003Public Sculpture
WallWall Sculptures

Zig-Zags Installation, Colgate University, steel, 2006Free Standing Sculptures
Ntlomaw/WhY Installation, 6' x 7' x 25', steel, 1997Suspended Sculptures
Wealth in Africa (detail), 32" x 38" x 4", mixed media, video & sound, 2013; Multiple Exposures, Museum of Arts & Design, NYC, 2014Mixed Media / Collage
Fiber Forest, 32" x 38" x 4", Early Fibers & Mesh

Share:Share on Facebook
Facebook
Tweet about this on Twitter
Twitter
Share on LinkedIn
Linkedin
Pin on Pinterest
Pinterest
Share on Tumblr
Tumblr
Email this to someone
email
Bridging diverse cultures. Celebrating the unique beauty & genius of each as well as what we have in common.
  • Follow Janet:
© Janet Goldner 2017 | Designed by Elisign Design